Authentic Identity Work in a Culture of Self-Reflection

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鈥淵ou know I鈥檓 only 4, right?鈥澨
Sadie is a 5-year-old with many titles: older sister to two younger brothers, avid artist, confident singer, vibrant dancer, and free spirit. Sadie has big feelings and lots of love for the people she cares about, and each day, her smile and energy fill the room with excitement. Today, she and Ms. Maggie are speaking about who Sadie is and how she sees herself鈥攈er identity. At one point in the conversation, Sadie straightens up in her chair, leans close to Ms. Maggie鈥檚 ear, and confidently whispers, 鈥淵ou know I鈥檓 only 4, right? I need people to remember that.鈥澨
Externally, Ms. Maggie raises her eyebrows in question; however, she is truly in awe. Sadie continues,听鈥淲ell, I鈥檓 trying really hard to do things on my own, but sometimes I just want to be picked up. But when I turn 5, I think I鈥檒l be too big to be picked up. Oh, but did you know that听when I turn 10, I鈥檒l probably lose my tooth, and the tooth fairy will come?听So maybe it won鈥檛 be so bad if I don鈥檛 get picked up anymore.听But for now, I鈥檓 only 4, okay?鈥澨
She nods approvingly and adds a few more hearts to the page she鈥檚 working on while humming an original song that, knowing Sadie, she is confident will be the next classroom hit.听听
As teachers of 4- and 5-year-olds at a Reggio Emilia-inspired early childhood education program, we are always looking for ways to guide children in conversations about themselves, others, and the world. These are key components of one鈥檚 identity, which starts to form in a child鈥檚 earliest years (UNCRC 2005).听听
At the beginning of the 2023 school year, we decided to use self-portraiture to introduce these discussions. However, things went a little differently than听we planned.听
It is October, and we are staring at a round table placed in the center of our classroom, feeling anxious and uneasy about what lies before us: two double-sided mirrors, black fine-tipped pens, and 4- by 6-inch rectangles of white cardstock.听 This is our sincere attempt at a provocation to draw a self-portrait, and because children鈥檚 identity development is so important, we want to get it right.听
A child approaches the scene, looks on briefly, then wordlessly turns away and walks elsewhere. We panic, grab the materials on the table, and replace them with a set of magnetic tiles. We share a mutual nod of agreement, 鈥淲e鈥檙e not ready!鈥澨
As if on cue, three children run over as we finish setting up the base of a tile tower. 鈥淲e鈥檙e just not ready yet,鈥 Vaidehi amends, as children build and build, all the way up to the ceiling of our classroom.听听
Entry Points: Starting with the Wide World Around Us听
Following that anxiety-filled October morning, we decided to search for entry points, or places where the children鈥檚 interests might lead us into exploring new ideas. A few weeks later, we received an unexpected gift from one of our families: a paper wasp鈥檚 nest they found during a neighborhood walk. We put it on the table and added some magnifying glasses and mark-making materials. It was immediately evident that the children were fascinated. Eventually, we extended their engagement by using a digital microscope and projector that allowed us to see the nest up close and in detail.听听
This experience prompted the children to take an even closer look at the living things outside. As the season shifted, they began to take walks with Ben, our studio teacher, whose enthusiasm and insight about creatures and 鈥渃ritters鈥 supported our emergent curriculum as it developed along unexpected and exciting paths. The children began regularly searching for new creatures, attempting to identify familiar ones, and imagining and building shelters and homes that they thought the animals might enjoy. We were eager to support the children鈥檚 intense interest and decided a trip to our school library was in order.听
One of the most influential finds from our library was a book called Incredible Animals, by Dunia Rahwan and illustrated by鈥疨aola Formica. In it, each animal has听unique superpowers鈥攆lying, swimming, and echolocation,听to name just a few. These superpowers make them special. The听book was a hit, and we revisited it day after day, week after week, building on our and the children's enthusiasm with new information.听听
The children imagined what it might be like to have these traits themselves. We soon found that these conversations (typically held during our whole-class gatherings) became entry points for discussions about perspective taking and recognizing and appreciating differences. Just like the animals in the book, we talked about how each member of our community had special and unique qualities that could be considered superpowers. When we asked the children what their superpowers were, their answers included everything from 鈥渆xtra strong鈥 to "being a good friend.鈥 Over time, these dialogues, which听focused on our听uniqueness听and the strengths that听each of us shared with听our community, became commonplace. Incredible Animals was powerful鈥攁nd so, inspired by this book, we decided to make our own text.听
The Dinosaur Guidebook, as it eventually became听known, was born of the children鈥檚 interests in creatures and animals, our class's听interactions with informational texts, and a growing appreciation for a diversity of听appearances, abilities, and lived experiences within听our class and school communities. Inspired by our Reggio Emilia-inspired approach, we supported and encouraged the children to research, design, write, and illustrate the book mostly by themselves.听听
By the time winter had begun in earnest, and the children鈥檚 knowledge of one another, themselves, and our communal norms had deepened. With the children鈥檚 insight, we identified the tasks necessary for bookmaking鈥攔esearch, illustration, writing, cover design鈥攖hen invited the children to opt into task-specific teams based on their interests. In these groups, the children brainstormed what they knew and what they needed to learn more about. They also identified strengths within themselves and their peers听that helped the team as a whole. When inevitable challenges arose, like figuring out exactly where to find answers to tough questions, the children were able to corral their resources and find solutions that led them to reach out to other teams, other teachers and children in our school, and听beyond. They even created a podcast鈥攂ut that, perhaps, is a story for another time!听
Giving Identity Another Go听
By March, we finally felt ready to dive into听investigations of identity and portraiture, which had felt听foundational to our teaching practice and had intrigued us since听early听fall. We听began anew with two anchor texts鈥The Heart of a Boy: Celebrating the Strength and Spirit of Boyhood and Strong Is the New Pretty: A Celebration of Girls Being Themselves;听both are photography books听by Kate T. Parker. On each page, a portrait of a child is paired with the child鈥檚 words about themselves. We treated these images听as visual texts, pointing out that photos only reveal a small piece of who a person is. We wanted to emphasize to the children that there is more to a person than meets the eye and that this is true for everyone.听
When it was time for more intimate conversations, we decided to set up shop in the cozy room鈥攁 small nook in听our classroom where we could听close the听sheer, gauzy curtain and invite deep focus. These conversations, we intuited, would necessitate听vulnerability and reflexivity, best served by a degree of privacy. As we had done in October, we once again, we intentionally chose an听array of materials: the books mentioned above, individual family photo albums (collected听at the beginning of the year), and a printed picture of each child (also from听the beginning听the year). Each picture was attached to a blank canvas and听could be听flipped up to reveal听the听canvas underneath. Above the small table, where the children sat, we projected pictures of them, taken over the course of the year. While the children took in the photographs, we invited their commentary, using prompts such as听听
- 鈥淲hen people see or meet you, they can only see things like your face, eyes, and hair. However, they don鈥檛 see what鈥檚 inside your beautiful mind and heart. What would you like to share with others about yourself?鈥澨
- 鈥淲hat is your story?鈥澨
- 鈥淲hat do you care about?鈥澨
- 鈥淭ell me about some of your strengths. What about some challenges you face?鈥澨
We created听space and provided听support for the children to share听about themselves through their own drawings and words (see 鈥淔arryn鈥檚 Story鈥 below). Then, we listened听as they worked and took notes, which became our documentation.听
Farryn鈥檚 Story
There is love inside my heart.听
I also love ice cream.听
I like to look at stars鈥攊t looks like movies: the moon and stars.听
I love going to the children鈥檚 museum鈥攊t gets my brain excited. My favorite is the climbing structure.鈥
I am good at climbing and drawing.听
I want to learn to run fast. I want to run races like Mama. I was so tired when I was running the race in Arizona. I don鈥檛 want to be so tired when I run.听
My favorite thing to play with Finlay is making a pillow pile and playing Floor Is Lava.听
I don鈥檛 always like being the big sister because I have to do everything, like today I had to pick up all the toys.听听
听
We听end this story as we began, with a note from Sadie. She would like readers to know the following: 鈥淚 have got lots and lots of love. It means I have a lot of cares in my body. Sometimes, I give the caring to people who aren鈥檛 even nice because maybe they are just shy or something.鈥澨
Photographs courtesy of the authors
Copyright 漏 2024 by the 强奸视频 for the Education of Young Children. See Permissions and Reprints online at听强奸视频.org/resources/permissions.
References
UNCRC (United Nations Committee on the Rights of the Child). 2005. 鈥淚mplementing Child Rights鈥痠n Early Childhood.鈥 General Comment No. 7. United National Digital Library.鈥.听
Vaidehi Desai, MEd, holds degrees in听special education and early childhood education and is a teacher at Newtowne School in Cambridge, Massachusetts. She has worked as a special education and early childhood educator in different settings, including preschools in India and听the United States. Vaidehi鈥檚 work is deeply rooted in anti-bias education and supportive social learning. This helps her to critically evaluate her practices in the classroom and to develop a strong image of the child, honoring them as valuable citizens with inherent and undeniable rights. [email protected]听
Margaret Oliver is听a graduate of Clemson University鈥檚 College of Education. She听is committed to working with inclusive programs that embrace diversity and equity. She channels her passion for the arts to design engaging activities while integrating these core values into all aspects of her work. Margaret听is currently a lead prekindergarten teacher at Newtowne School, a Reggio Emilia-inspired program听in Cambridge, Massachusetts. She is pursuing a master鈥檚 degree at Boston University in the Curriculum and Teaching Program. [email protected]